A1: The tetrad was the most visually striking. Even though everything was around the same saturation and lightness, the colored cars managed to stick out.
A2: The least striking was the neutral/monochromatic due to how dark and muddied everything was. The whole composition blends together into a dark mush.
A3: This flows really well. We go from being on the shore, looking out at the see and walking down the docks, to being on the ferry.
The most striking page for me was the first page, the tetrad. The colors were a nice compliment to one another, but none of them clashed.
The least striking page was the panorama on noon. It seemed too bland, too much like a normal day. It didn't reach out far enough, it just seemed extremely safe and flat.
Overall, the flow was alright, but there was no real difference. They all generally stayed within the same safe area, and didn't branch out much further. It was nice, but not overly attention-grabbing.
A1: The tetrad was the most visually striking. Even though everything was around the same saturation and lightness, the colored cars managed to stick out.
ReplyDeleteA2: The least striking was the neutral/monochromatic due to how dark and muddied everything was. The whole composition blends together into a dark mush.
A3: This flows really well. We go from being on the shore, looking out at the see and walking down the docks, to being on the ferry.
The most striking page for me was the first page, the tetrad. The colors were a nice compliment to one another, but none of them clashed.
ReplyDeleteThe least striking page was the panorama on noon. It seemed too bland, too much like a normal day. It didn't reach out far enough, it just seemed extremely safe and flat.
Overall, the flow was alright, but there was no real difference. They all generally stayed within the same safe area, and didn't branch out much further. It was nice, but not overly attention-grabbing.